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The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace by David Gilbert

by David Gilbert

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The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace by David Gilbert

The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace

by David Gilbert

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The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace
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The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace

by Gilbert, David

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ISBN 10 / ISBN 13
9781469631523 / 1469631520
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paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.
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The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace
Stock Photo: Cover May Be Different

The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace

by Gilbert, David

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ISBN 10 / ISBN 13
9781469631523 / 1469631520
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UNIV OF NORTH CAROLINA PR. New. Special order direct from the distributor
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The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace
Stock Photo: Cover May Be Different

The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace

by Gilbert, David

  • New
  • Paperback
Condition
New
Binding
Paperback
ISBN 10 / ISBN 13
9781469631523 / 1469631520
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Exeter, Devon, United Kingdom
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Univ of North Carolina Pr, 2016. Paperback. New. reprint edition. 291 pages. 9.00x6.00x0.75 inches.
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The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace
Stock Photo: Cover May Be Different

The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace

by David Gilbert

  • New
  • Paperback
Condition
New
Binding
Paperback
ISBN 10 / ISBN 13
9781469631523 / 1469631520
Quantity Available
10
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Southport, Merseyside, United Kingdom
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Paperback / softback. New. In 1912 James Reese Europe made history by conducting his Clef Club Orchestra at Carnegie Hall. The first concert by an African American ensemble at the venue was a political act of desegregation, a defiant challenge to the status quo. David Gilbert explores how Europe and other African American performers transformed their racial difference into the mass-market commodity known as "black music".
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