Art And Artists from L'Estampe Originale

After Millais. Etching. Beraldi 81 Trial proof before letters On thin Japan and mounted to a heavier sheet for support Retouched with ink and white wash With Waltner's annotation "Retouched by M Millais" Image: 10¼ x 7 Margins: 13 x 9¾

1902 Etching and Roulette in sanguine Proof, aside from the edition of 15, apparently from Orlik's own collection, with blind stamp Signed, dated and annotated "Probedruck" in pencil Image: 11½ x 8 Margins: 17¾ x 12½ Max Klinger (1857-1920) was a leading German painter and printmaker during the 19th century.

Engraving with etching. B.N.I. 30 Jean Audran. Plate 7 from the series of 24 (after the paintings of Rubens in the Louvre) .Trimmed to the platemark. 19 1/8 x 13 1/8. A beautiful impression in fine condition.

Lithograph. Proof. Signed and numbered in pencilTitle: Un ShampooingPublisher: Paris Print Illustrator: Paul, Hermann Print Condition: Fine Signed: Signed by Artist Edition: 50.

Etching. One of an edition of 50.

Lithograph cover for a sale catalog of prints by the Berggruen Gallery in Paris.

Tondo Wood cut. Signed and titled in pencil. Edition of 200.

Paris, impies. Lermercier, 1898. Affiche d'Interieure. Poster on paper. Has been folded and there are tiny tears around the margins not affecting the image. 65mm x 35mm.

1894. Lithograph. Inv. B.N. and Mercer 108. Ed. of 225 for L'Epreuve #31. 14¾ x 11. 375mm x 280mm. Darkening in margins, image unaffected. Maurice Dumont was the editor of L'epreuve.

Lithograph. Numbered in pencil. B.N. #9. Image: 9¼ x 7¼. Margins: 15¼ x 11 .

Etching and drypoint. c. 1940. Signed and titled in pencil. Image: 14¼ x 10. Margins: 17 x 13.

Engraving. c. Early 17th c. From the series published by H. Cock. Image: 8 x 4¾. Margins: 12 x 7½.

Lithograph in color. Advertising card. 3 x 5½. Browning of paper on verso, some water stains. MISC-MT-80

1805. Etching and stipple engraving. Le Blanc 9iii. Image: 10¾ x 8¼. Margins: 12 x 9½. Some foxing.

1941. Drypoint. Signed in pencil. On thin wove paper. Image: 9 x 6. Margins: 11½ x 8. Roi Partridge (1888-1984) was a California etcher of landscapes of California and the Southwest married to Imogen Cunningham, the photographer .

Etching on heavy wove paper. Signed and numbered in ink. From the edition of 30. Strong impression. Image: 14½ x 7½. Margins: 20 x 14. Foxing and some soiling in the margins.

1844. Sur Blanc. Lithograph. From Las Bas Blues, pl. 12. D. 1232 ii/iii, very rare in this state. Image: 9 x 7½. Margins: 13¾ x 10¼.

Sur Blanc. Lithograph with contemporary hand-coloring. 1842. As published in La Caricature. D. 986 ii/iii. Image: 8¼ x 7 . Margins: 9 x 14 .

1902. Etching and Roulette in sanguine. Proof, aside from the edition of 15, apparently from Orlik's own collection, with blind stamp. Signed, dated and annotated "Probedruck" in pencil. Image: 11½ x 8. Margins: 17¾ x 12½. Max Klinger (1857-1920) was a leading German painter and printmaker during the 19th century.

Lithograph. c. 1890. As published for L'Estampe et L'Affiche. Printed on very thin tissue. Image: 5 x 7. Margins: 9 x 11¼.