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BRITISH PRINTMAKERS, 1850 - 1940

by P & D COLNAGHI

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May 21 - June 17, 1975. Robert Austin, Augustus Johns, J.M. Whistler, Gill, etc. 28 pp. Separate price list.
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PRINTS OF THE 17TH CENTURY FROM THE NETHERLANDS, GERMANY AND ENGLAND

by P & D COLNAGHI

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Cat. No. 2, February, 1975. 55 pp., prices inc. 11 1/2 x 8 1/2. Fine.
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JAMES AND THE GIANT PEACH

by DAHL, Roald

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New York., The Book Press, 1961. First American Edition (second printing). Hardback (Red cloth). Fine. Author and illustrator's first children's book presenting the adventures of an orphan unhappily living with two nasty aunts in the south of England. The boy discovers a giant peach and a realm of magical creatures inside. This First American edition appeared six years before the British edition. Library of Congress No. 61-8127. No edition stated, no mention of later printings, no ISBN on copyright or colophon pages. Dust jacket price-clipped, does not exhibit $3.95 price. Four-line colophon records BOUND BY The Book Press, N.Y. No mention of Charlie series at colophon or on rear DJ panel. JAMES AND THE GIANT PEACH is his first book for children. Endpapers are green; text block tight, white, and flawless, Yellow page tops in fine condition.. Five full-page color plates and numerous other, smaller pastel or B&W illustrations throughout. Book spine retains full gilt lettering, Blind… Read More
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DALI
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DALI: Exhibition Catalog

by Dali, Salvador (1904-1989)

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Large foldout Exhibition Catalog for Gallery G, Prague, Czechoslovakia. 13 1/2 x 10. June 15-July 23,1967. 40 facsimiles of Chants de Maldoror 1934 (Michler & Lopsinger 11-54) and La Femme Invisible 1930, (M & L 40.Includes a foldout illustrated 2 sided Poster 38 x 26 1/2.
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The Brothers Dalziel, 1840-1890.

The Brothers Dalziel, 1840-1890.: A record of 50 years work in conjuction with many of the most distinguished artists of the period.1840-1890

by Dalziel, George and Edward

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Edward Dalziel (1817-1905), George Dalziel (1815-1902).Compilation of the works of several contemporary book writers and illustrators richly illustrated. 4to. xiii + 369pp. TEG. A presentation copy signed and dedicated to William F. Dalziel from George and Edward Dalziel in pen on title page. Bound in full green morocco with gold title on the spine. Illustrated throughout by Sir J.E. Millais, Sir. E. J. Poynter, Holman Hunt, Dante G. Rossetti, Sir John Tenniel, Sir E. Burne-Jones, John Ruskin, Arthur Hughes, Birket Foster, and many others.
Library of Congress NE1217.D3 A3
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HYACINTHE RIGAUD PAINTING HIS WIFE, ELISABETH DE GOVY, ALSO A SELF PORTRAIT

by JEAN DAULLÉ (1703-1763)

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1742. Engraving. Firmin-Didot p. 110, 359, ii/ii with letters. Image: 474 x 342, 18 5/8 x 13 3/8. Margins: 525 x 398, 20 ¾ x 15 5/8. A fine impression printed on heavy laid paper.
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DIRE QU'ARSINOE..

DIRE QU'ARSINOE..: (As if it weren't enough for Arsinoe to have her portrait painted)

by DAUMIER, HONORE (1808-1879)

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1844. Sur Blanc. Lithograph. From Las Bas Blues, pl. 12. D. 1232 ii/iii, very rare in this state. Image: 9 x 7½. Margins: 13¾ x 10¼.
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TIENS ET' IDÉE!

by Daumier, Honore (1808-1879)

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Published on newsprint from, "Le Charivari". 14 ¾ x 10. From "Les Baigneurs"(The Bathers). Lithograph. Delteil 782, Vol. III.
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CES ARTISTES SONT PRESQUE TOUS FOUS

CES ARTISTES SONT PRESQUE TOUS FOUS

by DAUMIER, HONORE (1808-1879)

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1847. Sur Blanc. Lithograph with contemporary hand-coloring. D. 1527iii/iii. From Les Bons Bourgeois. Plate 51. Image: 10½ x 8½. Margins: 13 x 10 .
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A MADAME JE VOUS AI RETROUVÉ ZÉMIRE, (I see you have found Zemire, but I fear I have lost my heart)

by Daumier, Honore (1808-1879)

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Published on newsprint, Le Charivari. 14 ¾ x 10. Un Nouvell Connaissance. Lithograph. From Les Beaux Jours de la Vie. D. 1176 ii/ii. April 18, 1846. Un Jour d'eclipse. Lithograph. From Actualities. c.1845.
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LES PARISIANS EN VENDANGES

by DAUMIER, HONORE (1808-1879)

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1857. Lithograph. Delteil. 2981ii/ii. Sur Blanc. #1. From Les Speculateurs. 206mm x 268.mm. In fine condition. With full margins. Later published in le Charivari.
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PAUVRE GIULAY

by Daumier, Honore (1808-1879)

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1859. Printed on white wove paper (Sur blanc). Delteil 3169 iii. 8 x 10¾. From" Ces Bons Autrichiens".
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PRIMO SAIGNARE, DEINDE PURGARE, POSTEA CLYSTERIUM DONARE (FIRST HE BLEEDS THEM, THEN HE PURGES...

PRIMO SAIGNARE, DEINDE PURGARE, POSTEA CLYSTERIUM DONARE (FIRST HE BLEEDS THEM, THEN HE PURGES THEM, THEN HE GIVES THEM AN ENEMA)

by DAUMIER, HONORE (1808-1879)

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DAUMIER, HONORE (1808-1879). PRIMO SAIGNARE, DEINDE PURGARE, POSTEA CLYSTERIUM DONARE (FIRST HE BLEEDS THEM, THEN HE PURGES THEM, THEN HE GIVES THEM AN ENEMA). Lithograph with contemporary hand coloring, sur blanc. Dec. 5, 1833. Ref: Delteil 73, as published in La Caricature No. 161, pl. 337 and 338. 131.4mm x173.8mm. 13 x17. With full margins. Framed.This lithograph depicts the bleeding, purging and medication of a man. The print shows from left to right: King Louis-Philippe, a coachman (the French people?), Ferdinand Duc d'Orléans, and Marshal Lobau with his famous syringe. Louis-Philippe in 1833 bleeds a mail messenger (postillon) who has fallen off his horse, thereby saving his life. The King had learned the art of blood-letting in a hospital in his youth and always carried a bleeding-knife on him. Symbolically it is not the postillon, but rather the French nation which is being bled.Brandeis Univ.
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LE BOURGEOIS AU SALON

LE BOURGEOIS AU SALON: (WHAT...A PORTRAIT OF MR. BRACUSSAT)

by DAUMIER, HONORE (1808-1879)

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Sur Blanc. Lithograph with contemporary hand-coloring. 1842. As published in La Caricature. D. 986 ii/iii. Image: 8¼ x 7 . Margins: 9 x 14 .
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PRESQUIL N'YA PAS DE GARDE

by DAUMIER, HONORE (1808-1879)

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Litrhograph in black.D. 2827ii. From Emotions Champetres. 210 x 253mm. On sur Blanc. In Fine condition.
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M. PRUD'HOMME, JE VOUS AI FAIT...(MR. PRUD'HOMME, I GAVE YOU A SCARE IN ARRIVING...)

by Daumier, Honore (1808-1879)

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Printed on white wove paper (Sur blanc). From "Ces Bons Autrichiens", 1859. Delteil 3161 iii. 8 x 10½. Light foxing in image.
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IL DÉFEND L'ORPHELIN ET LAS VEUVE, À MOINS POURTANT QU'IL N'ATTAQUE LA VEUVE ET L'ORPHELIN (he defends the orphan and the widow, at least when he is not attacking them)

by Daumier, Honore (1808-1879)

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1845. Hand colored lithograph on white wove paper from the most desirable series Daumier ever published. Delteil 1358ii. 10 ¾ x 7 ¾. Plate 22 from "Les Gens de Justice". Framed.
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Ingrate patrie, tu nÂ’auras pas mon oeuvre! (Ungrateful country, you shall not have my work!)

by Daumier, Honore (Marseille, 1808 - Valmondois, 1879)

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1841. Lithograph. Ingrate patrie, tu nauras pas mon oeuvre! (Ungrateful country, you shall not have my work!) D.719. From Emotions Parisienne . 253 x 210mm , 533,3 x 27,7.
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LE FORMAT DE PLUS EN PLUS MONTRE, (The paper gets bigger and bigger)

by Daumier, Honore (1808-1879)

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Published on newsprint, Le Charivari. 14 ¾ x 10. Lithograph. From "Les Beaux Jours del la Vie". Delteil 1162 ii/ii Oct 8, 1845.
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UN CHAPEAU NEUF (A NEW HAT: MONSIEUR WAS PERFECTLY RIGHT IN ADOPTING THE LATEST HAT STYLE)

by Daumier, Honore (1808-1879)

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1845. Hand color lithograph published on white wove paper (sur blanc). Delteil 1132 ii. Plate 45 the suite "Les Beaux Jours de la Vie". 12¾ x 9¼, sheet size.
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