Description:
Stereoview photograph, circa 1890. 86mm by 178mm (card). Buff card. Printed reverse with photographer's details. Jenkinson was active in Broken Hill from 1885, according to his advertisement in 'The History of Broken Hill' by Samuel Curtis (1908); Davies and Stanbury (1985) have him there from 1889. Broken Hill Proprietary Company Limited (now BHP Billiton) has gone on to become the largest mining company in the world. CONDITION : A few small marks and light soiling.
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27. BH Pro. Co. (Broken Hill)
by George F Jenkinson
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Campi Phlegraei - View of a section of a part of the cone of Astruni taken at the entrance of this volcano
by Peter Fabris
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1776. Copper-line engraving with gouache. 210mm by 390mm (image) 325mm by 455mm (sheet). Engraving from William Hamilton's 'Campi Phlegraei'. The area around Naples was known locally as the Campi Phlegraei, or 'flaming fields', owing to the frequent and violent eruptions of Mount Vesuvius. From his country house at the foot of the volcano, William Hamilton (1730-1803) was ideally placed to witness and investigate the eruptions of the 1770s. Hamilton wanted to create a definitive guide to the volcano, to be as aesthetically beautiful as it was intellectually stimulating. He employed the Anglo-Neapolitan artist Peter Fabris to create sketches in situ to illustrate the work. These were then reproduced in prints that were hand coloured individually by local artists by the application of gouache. The process was overseen at every stage by Hamilton. The work was published in 1776 as 'Campi Phlegraei: observations on the volcanos of the two Sicilies'.
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Explications
by Pierre Falke (1884-1947)
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1903. Chromolithograph. 305mm by 225mm (sheet). Chromolithograph from 'Le Rire', 1903. Pierre Falke was born in Paris, and was a friend and associate of other School of Paris artists such as Gus Bofa, Dunoyer de Segonzac, and Andre Dignimont. Falke specialized in wood-engraving and etching.Dentistry interest.
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View of Blackfriars Bridge from Somerset Place
by JC Stadler after J Farington
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1795. Aquatint. 220mm by 330mm (image). Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an engraver of German origin. He settled in London in the 1780s and, since he specialized in aquatint engraving, became responsible for the successful production of many ambitious topographical works. He worked closely with Joseph Farington, who made the drawings for An History of the River Thames by William Combe, published by John Boydell (London, 1794-6).Joseph Farington (1747-1821) was an eighteenth-century English landscape painter and diarist.
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London Bridge
by JC Stadler after J Farington
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1795. Aquatint. 220mm by 330mm (image). Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an engraver of German origin. He settled in London in the 1780s and, since he specialized in aquatint engraving, became responsible for the successful production of many ambitious topographical works. He worked closely with Joseph Farington, who made the drawings for An History of the River Thames by William Combe, published by John Boydell (London, 1794-6).Joseph Farington (1747-1821) was an eighteenth-century English landscape painter and diarist.
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Fisherman's Hut
by John Farmer (1897-1989)
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1960. Drypoint. 100mm by 130mm (platemark) 230mm by 260mm (frame). Signed, editioned (9/9) and titled below the image in pencil.
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Farrell - St Paul's, London
by Frederick Farrell (1882-1935)
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1920. Etching. 255mm by 365mm (platemark). Signed in pencil below the image by the artist. A view of St Pauls from the south side of the Thames.Farrell was a Scottish etcher specializing in architectural etchings. He was the Official Artist with the 51st Highlanders 1914-1918. Acid burn from previous mount.
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Piccadilly Circus, London
by Frederick Farrell (1882-1935)
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1920. Etching. 205mm by 300mm (platemark) 295mm by 365mm (sheet). Signed in pencil below the image by the artist. Some small blindstamps just under image to the left. Farrell was a Scottish etcher specializing in architectural etchings. He was the Official Artist with the 51st Highlanders 1914-1918. CONDITION : A couple of tiny marks in the image. Some faint handling creases in outer margins, well away from image area.
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Hon Duncan Gillies
by Fergusson & Mitchell, after Herbert J Woodhouse (1855-1920)
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1887. Tinted lithograph. 275mm by 210mm (sheet). Duncan Gillies (1834 - 1903) was an Australian colonial politician, he was the 14th Premier of Victoria.
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Hon James Service
by Fergusson & Mitchell, after a photograph by Johnstone O'Shannessy & Co
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1887. Tinted lithograph. 275mm by 210mm (sheet). James Service (1823 - 1899), was a Scottish-born Australian colonial politician, he was the 12th Premier of Victoria, Australia. The monogram of HJW in the image suggests that Herbert J Woodhouse (1855-1920) prepared a sketch from the photograph, that was then lithographed.
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Signor Eduardo Majeroni
by Fergusson & Mitchell, after a photograph by Johnstone O'Shannessy & Co
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1887. Tinted lithograph. 275mm by 210mm (sheet). Eduardo Majeroni (1840-1891) was an Italian actor, manager, and producer. He and his wife Giula (1850-1903) came to the Australasia with Giula's aunt Adelaide Ristori in 1875. Between 1884 and 1886 Eduardo co-managed the Sydney Opera House with WJ Wilson. The monogram of HJW in the image suggests that Herbert J Woodhouse (1855-1920) prepared a sketch from the photograph, that was then lithographed.
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HG Grist & Sons, Manufacturing Chemists
by FH
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1888. Lithograph with later hand-colouring. 205mm by 270mm (sheet). HG Grist & Sons' London Chemical Works were situated at 161-163 Flinders Lane East, Melbourne. From 'Jubilee history of Victoria and Melbourne', / T.W.H. Leavitt editor.Small mark in margin.
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Hindoo Costumes, Mauritius
by Duval and Co after Wilhelm Heine (1827-1885) and Brown (figures)
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1856. Tinted lithograph. 220mm by 290mm (sheet). From 'Narrative of the Expedition of an American Squadron to the China Seas and Japan Performed in the Years 1852, 1853 and 1854 under the Command of Commodore M.C. Perry, United States Navy' by Wilhelm Heine and Eliphalet Brown.
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The Hotham Town Hall
by WC Fitler
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1886. Wood-engraving. 140mm by 150mm (image). Part-page image from 'The Picturesque Atlas of Australasia'. Text on the reverse.
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Fitzmaurice and Keys dancing for their lives
by Castelli after M Fitzmaurice
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1860. Wood-engraving. 240mm by 160mm (image only). MM Fitzmaurice et Keys dansant devant les indigenes australiens pour sauver leur vie' Depicts Lieutenant Lewis Roper Fitzmaurice (1816-1893) and Keys dancing for their lives during Beagle Survey Expedition 1837-43.French wood-engraving, from 'Le Tour du Monde'. Text on reverse. Light foxing in the margins.
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John Jebb MD FRS
by John Hall after a sculpture by John Flaxman
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1787. Copper-line engraving. 185mm by 120mm (sheet) 125mm by 95mm (oval). John Jebb (1736-1786) was an English divine, medical doctor, and religious and political reformer. He was educated at Peterhouse, Cambridge, where he was elected fellow in 1761. He practised medicine in London and was elected a fellow of the Royal Society in 1779. Some light foxing.
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Dr Monsey
by William Bromley (1769 - 1842) after Mr Forster
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1789. Copper-line engraving. 170mm by 110mm (platemark). Dr Messenger Monsey (1693-1788) was a Physician to Chelsea Hospital. Published for the 'European Magazine'.Light foxing.
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George II
by Pierre Francois Basan (1723-1797) after Founan
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1780. Copper-line engraving. 105mm by 145mm (platemark) 245mm by 185mm (sheet). George II (1683-1760) was King of Great Britain and Ireland, Duke of Brunswick-Leneburg (Hanover) and Archtreasurer and Prince-Elector of the Holy Roman Empire from 11 June 1727 until his death. He was the last British monarch to have been born outside Great Britain, and was famous for his numerous conflicts with his father and, subsequently, with his son. As king, he exercised little control over policy in his early reign, the government instead being controlled by Great Britain's de facto first Prime Minister, Sir Robert Walpole.Pierre Francois Basan (1723-1797) who was a French engraver and publisher.
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The Hon James Service, Premier of Victoria
by From a photograph by JW Lindt, Melbourne
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1880. Tinted lithograph. 110mm by 80mm (image) 235mm by 140mm (sheet). James Service (1823 - 1899), was a Scottish-born Australian colonial politician, he was the 12th Premier of Victoria, Australia. For further info, follow the following link: click here
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Mathews - Brush-Turkey
by FW Frowhawk (1861-1946)
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1928. Lithograph with original hand-colouring. 235mm by 335mm (sheet). Limited edition lithograph (225) with original hand-colouring from Gregory Mathews' 'The Birds of Norfolk and Lord Howe Islands and The Australasian South Polar Quadrant', 1928. Frohawk was born in Norfolk, England, he was one of the leading ornithological artists of his time.
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