Description:
1830. Aquatint with hand-colouring. 135mm by 220mm (sheet). An Italian composite of three of Petit's engravings from Peron and Freycinet's account of Baudin's voyage in Voyage de couvertes aux Terres Australis: atlas. 1. [Nouvelle-Hollande. Cour-Ron-Bari-Gal] -- 2. [Terre de Diemen. Bara-Ourou] -- 3. [Terre de Diemen. Grou-Agara]Light waterstain to top left.
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Abitatori della Terra di Diemen
by Andrea Bernieri (1792-1849) (engraver)
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Abitatori della Nuova Olanda
by Rosaspina (engraver)
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1830. Aquatint with hand-colouring. 135mm by 220mm (sheet). An Italian composite of three of Petit's engravings from Peron and Freycinet's account of Baudin's voyage in Voyage de couvertes aux Terres Australis: atlas. From Giulio Ferrario's "Il costume antico e moderno, o, storia del governo, della milizia, della religione, delle arti, scienze ed usanze di tutti i popoli antichi e moderni", vol. VIII (Asia), edited by Vincenzo Batelli, Florence.A couple of light waterstains.
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Abitazione
by Andrea Bernieri (1792-1849) (engraver)
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1830. Engraving with hand-colouring. 135mm by 220mm (sheet). From Giulio Ferrario's "Il costume antico e moderno, o, storia del governo, della milizia, della religione, delle arti, scienze ed usanze di tutti i popoli antichi e moderni", vol. VIII (Asia), edited by Vincenzo Batelli, Florence. A couple of light waterstains.
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Acacia Alata - Wing-Stalked Acacia
by S Watts after M Hart
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1819. Copper-line engraving with original hand-colouring. 205mm by 125mm (platemark). Australian botanical engraving from 'Edward's Botanical Register', published by John Lindley. CONDITION : Tiny holes on far right of the sheet. Ink inscription beneath the lower platemark.
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Acacia Decipiens - Paradoxical Acacia
by H Weddell (engraver)
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1815. Copper-line engraving with original hand-colouring. 200mm by 120mm (platemark). Native of South West Coast of New Holland. Australian native botanical engraving from Curtis's Botanical Magazine.. William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.Some off-setting.
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Acacia Discolor - Two-Coloured-Leaved Acacia
by H Weddell (engraver)
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1813. Copper-line engraving with original hand-colouring. 220mm by 140mm (sheet). Australian native botanical engraving from Curtis's Botanical Magazine. William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787. Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.
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Acacia Hispidissima - Hispid Acacia
by Walter Hood Fitch (1817-1892)
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1851. Lithograph with original hand-colouring. 235mm by 145mm (sheet). Native of Swan River. Australian native botanical engraving from Curtis's Botanical Magazine. William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from. Small ink inscription on descriptive text.A couple of faint foxing spots.
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Acacia Intermedia - Intermediate Acacia
by Joseph Swan (1796-1872) after William Jackson Hooker (1785-1865)
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DONCASTER EAST, Victoria, Australia
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1832. Copper-line engraving with original hand-colouring. 205mm by 125mm (platmark). Australian native botanical engraving from Curtis's Botanical Magazine. William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.
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Acacia Leptoneura - Slender-nerved Acacia
by Walter Hood Fitch (1817-1892)
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1848. Lithograph with original hand-colouring. 235mm by 145mm (sheet). Native of Swan River. Australian native botanical engraving from Curtis's Botanical Magazine. William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from. Small ink inscription on descriptive text.
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Acacia Lophantha - Two-Spiked Acacia
by S Watts after M Hart
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1819. Copper-line engraving with original hand-colouring. 205mm by 125mm (platemark). Australian botanical engraving from 'Edward's Botanical Register', published by John Lindley. CONDITION : Tiny holes on far right of the sheet. Ink inscription beneath the lower platemark.
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Acacia Longiifolia - Long-leaved Acacia
by Smith after M Hart
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1819. Copper-line engraving with original hand-colouring. 205mm by 125mm (platemark). Australian botanical engraving from 'Edward's Botanical Register', published by John Lindley. CONDITION : Tiny holes on far right of the sheet. Ink inscription beneath the lower platemark.
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Acacia Oxycedrus - Downy-Stemmed Acacia
by Joseph Swan (1796-1872) after William Jackson Hooker (1785-1865)
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1829. Copper-line engraving with original hand-colouring. 205mm by 125mm (platmark). 'Seeds of this plant were sent from New Holland by Mr Fraser : who detected the species in the Blue Mountains' Australian native botanical engraving from Curtis's Botanical Magazine.William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.
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Acacia Ruscifolia - Butcher's Broom-Leaved Acacia
by Joseph Swan (1796-1872) after William Jackson Hooker (1785-1865)
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DONCASTER EAST, Victoria, Australia
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1832. Copper-line engraving with original hand-colouring. 205mm by 125mm (platmark). 'Introduced by Mr Allan Cunningham who discovered it on the rocky shores of Macquarie Harbour, Van Diemen's Land.' Australian native botanical engraving from Curtis's Botanical Magazine.William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.
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Acacia Vestita - Cunningham's Acacia
by S Watts after M Hart
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DONCASTER EAST, Victoria, Australia
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1823. Copper-line engraving with original hand-colouring. 120mm by 200mm (platemark). Australian botanical engraving from 'Edward's Botanical Register', published by John Lindley. Accompanied by photocopy of the original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.
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Acacia decipiens
by Barrois after Pancrace Bessa (1772-1835)
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DONCASTER EAST, Victoria, Australia
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1836. Steel engraving with original hand-colouring. 205mm by 125mm (platemark). Australian botanical from 'Flore des Jardiniers, Amateurs et Manufacturiers'. Bessa is considered one of the greatest 19th century flower artists and, along side Pierre Joseph Redoute, mastered the art of stipple engraving.Light overall toning, and some very faint off-setting. Some slight surface rubbing lower left corner.
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Acrophyllum Verticillatum - Whorl-leaved Acrophyllum
by Swan after Walter Hood Fitch (1817-1892)
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DONCASTER EAST, Victoria, Australia
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1843. Engraving with original hand-colouring. 235mm by 145mm (sheet). Native of the Blue Mountains. Australian native botanical engraving from Curtis's Botanical Magazine. William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.
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Acrostichum Crassinerve
by Benjamin Fawcett (1808-1893) after Alexander Francis Lydon (1836-1917)
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DONCASTER EAST, Victoria, Australia
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Colour woodblock. 240mm by 145mm (sheet). From Edward J. Lowe's 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. CONDITION : A couple of tiny spots. Very faint creasing along far right edge of the sheet.
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Aculeated Ant-Eater
by James Heath (engraver) (1757-1834)
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DONCASTER EAST, Victoria, Australia
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1800. Copper-line engraving. 130mm by 215mm (sheet). From George Shaw's 'General zoology or systematic natural history... with plates from the first authorities and most selected specimens, engraved principally by Mr. Heath. London: G. Kearsley, 16 vols., 1800-1826.' Light foxing lower left and along right edge of the sheet.
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Address to the Tooth Ache
by G Presbury after JM Wright
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DONCASTER EAST, Victoria, Australia
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1839. Steel-engraving. 150mm by 110mm (image) 270mm by 200mm (sheet). An early 19th century illustration to Robert Burn's poem. (A photocopy of the poem accompanies the engraving). Dentistry interest.
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Admiral Sir Hyde Parker
by John Chapman
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1796. Stipple engraving. 207mm by 130mm (sheet) 110mm by 90mm (oval). Admiral Sir Hyde Parker (1714-1782) fought in the American War of Independence and was knighted for his part in the Hudson River campaign. From 1796 to 1800 he was in command at Jamaica and ably conducted the operations in the West Indies.In 1801, he commanded the British fleet during the bombardment of Copenhagen. His second-in-command was Horatio Nelson, who led the attack.At the height of the battle, Hyde Parker II hoisted the flag to discontinue the action. Famously, Nelson ignored the order from his commander by raising his telescope to his blind eye and exclaiming 'I really do not see the signal'. He pressed on with the action and ultimately compelled the Danish forces to capitulate.Chapman was an English stipple engraver of portraits after his contemporaries.
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