Description:
Culver City: Metro-Goldwyn-Mayer, February 28, 1957. Original 129 page mimeographed shooting script entitled Captain Dreyfus written by Gore Vidal. Bradbound in printed studio wrappers. Very good. Enclosed in a custom morocco leather and cloth clamshell box. Directed by and starring José Ferrer as Captain Alfred Dreyfus, Anton Walbrook, Viveca Lindfors, Leo Genn, Emlyn Williams, David Farrar, Donald Wolfit, Herbert Lom, Harry Andrews, Felix Aylmer, George Coulouris, Peter Illing, Michael Hordern. In 1894 Alfred Dreyfus (José Ferrer), a Jewish captain in the French Army, is falsely accused of treason. He is sentenced to life imprisonment on Devil's Island. Major Ferdinand Walsin-Esterhazy, an infantry officer of Hungarian descent, helps in the investigation. When he is found to be the real spy, the French Army tries to hide the truth by exonerating the traitor in a mock trial. Émile Zola, the famous French author, writes an open letter to the prime minister of France entitled I Accuse!, which…
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I Accuse - Screenplay by Gore Vidal
by VIDAL GORE & JOSE FERRER
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I Am Sam (Originally Titled ‘Sam I Am’). Screenplay by Kristine Johnson and Jessie Nelson
by JOHNSON, KRISTINE & JESSIE NELSON
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Los Angeles: New Line Cinema, 2000 / 2001. Original 112 page revised shooting script, dated December 20, 2000, with color rewrite pages dating from January 4, 2001 through January 30, 2001, for the film I Am Sam written by Kristine Johnson and Jessie Nelson, directed by Jessie Nelson, starring Sean Penn, Michelle Pfeiffer, Dakota Fanning, Dianne Wiest, Loretta Devine, Richard Schiff, and Laura Dern. With an 8 page one-line shooting schedule dated February 6, 2001 and a one page production schedule. Bradbound. Fine copy. The film tells the story of a mentally retarded man named Sam (Penn) who fights for custody of his 7-year-old daughter (Fanning), and in the process teaches his cold-hearted lawyer (Pfeiffer) the value of love and family.
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I Am a Woman (ISBN: 1573441457 / 1-57344-145-7)
by BANNON, ANN
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San Francisco, CA: Cleis Press, Inc, 2002. Signed by the author, Ann Bannon, on the title page. Paperbound. As new copy in printed wrappers. Contains a new introduction by Bannon written specially for this edition. Ann Bannon is a well-known novelist of the golden age of the sub-genre of lesbian pulp fiction. The first novel in the Beebo Brinker Chronicles. Ann’s classic novels of the 1950s and 1960s provided many lesbians of the time with a welcome chance to identify with a community, and remain vital reading today.
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I Asked No Other Thing
by JARRETT, CORA
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New York: Farrar & Rinehart, 1937. First Edition. One of an edition limited to 1500 numbered copies signed by Cora Jarrett. Very good lightly used copy with some slight discoloration to the gutters, a trace of fading to the spine, and a small circular cup stain on the front board without dust jacket.
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I Asked No Other Thing
by JARRETT, CORA
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New York: Farrar & Rinehart, 1937. First Edition. One of an edition limited to 1500 numbered copies signed by Cora Jarrett. Fine bright copy in a very good dust jacket with a faint trace of dust soiling, a bit of fading to the spine, and a few tiny edge nicks.
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I Bury the Living. Exhibitor’s Campaign Books
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London: Jameswood Press, 1959. 4 page large format campaign book for the British release of the United Artists horror film starring Richard Boone. Prints pictures from the film, short articles, suggested advertising copy, posters & accessories, cast and production information. A cemetary manager finds he may have power over life and death. Paperbound. About fine.
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I Can Remember Robert Louis Stevenson
by MASSON, ROSALINE (ED.)
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London: W. & R. Chambers, 1922. First Edition. Remembrances of Robert Louis Stevenson, illustrated with photographs. Ownership signature, front hinge cracked, else very good without a dust jacket.
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I Clowns - A cura di Renzo Renzi. Foto a colori di Franco Pinna
by FELLLINI, FEDERICO
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Bolonga: Cappelli editore, 1970. First Edition, First Printing. Text in Italian. Signed and inscribed by Federico Fellini to noted American film critic, Judith Crist on the title page: To Judith Crist. Good Luck! Federico Fellini, Roma, 10-4-71. A large coffee table book weighing almost five pounds containing numerous color and black & white photographs of Fellini’s acclaimed film, part documentary and part fantasy, on the world of theatrical and circus Clowns released simultaneously in theaters and Italian television. The book contains the film script, interviews, writings on the film, a history of noted clowns. etc. 416 pages. Bound in full brown cloth in a very good dust jacket with a few small tears and light chipping. A striking book in an excellent association copy.
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I Cover the War. Screenplay by George Waggner. Story by Bernard McConville
by WAYNE, JOHN
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Los Angeles: Universal Pictures, 1937. First Edition. Original 120 page shooting script for the early John Wayne film I Cover the War from the library of the film’s art director E.R. Hickson, with his name stamped on the front cover and interior. The screenplay was written by George Waggner, story by Bernard McConville, directed by Arthur Lubin, and co-starring Gwen Gaze, Don Barclay, Pat Somerset, and Charles Brokaw. Bradbound in printed studio covers. Very good lightly used copy with a touch of darkening to the covers and some minor edge wear and small tears. The film tells the story of a foreign correspondent (Wayne) who becomes involved in the violence of an Arabian uprising against the British forces stationed there. E.R. Hickson (1892 - 1952) had a long and varied Hollywood career as a screenwriter for Western Days (1924), a Western film producer and executive, set director, and art director. His ranch in Placerita Canyon near Santa Clarita, CA was a favorite filming site for many westerns,…
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I Cover the War. Screenplay by George Waggner. Story by Bernard McConville
by WAYNE, JOHN
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Los Angeles: Universal Pictures, 1937. First Edition. Original 143 page mimeographed dialogue and cutting continuity script prepared toward the end of production for the film ‘I Cover the War,’ screenplay by George Waggner, story by Bernard McConville, directed by Arthur Lubin, and starring John Wayne, Gwen Gaze, Don Barclay, Pat Somerset, and Charles Brokaw. Bradbound, 8 1/2” x 11”. Very good lightly used copy with a touch of darkening to the covers and some minor edge wear and small tears. The film tells the story of a foreign correspondent (Wayne) who becomes involved in the violence of an Arabian uprising against the British forces stationed there.
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I Didn't Know I Would Live So Long
by ABSTRACT EXPRESSIONIST ARTIST NOVEL - MICHAEL BLANKFORT
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New York: Charles Scribner’s Sons, 1972. Michael Blankfort (1907-1985) was an American screenwriter, author and playwright. He served as a front for the blacklisted Albert Maltz on the Academy Award-nominated screenplay of Broken Arrow (1950). The Writers Guild of America, West, in its 1991 restoration of credit for the Broken Arrow screenplay to Maltz, expressed "a strong statement of appreciation for the courage of screenwriter Michael Blankfort" for his action in fronting for Maltz, in which Blankfort "risked being blacklisted himself to help his friend". Among his own screenplays were The Juggler (1953) and The Caine Mutiny. He was president of the Writers Guild of America, West from 1967 to 1969 and won the Guild's Valentine Davies Award (along with Norman Corwin) in 1972. He also served on the Board of Governors of The Academy of Motion Picture Arts and Sciences from 1969 to 1971. Michael Blankfort and his wife Dorothy Stiles Blankfort were among the founding members of the Los Angeles…
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I Don’t Need You Any More
by MILLER, ARTHUR
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New York: Viking, 1967. First Edition. Fine in a near fine dust jacket with some slight darkening to the spine. A collection of short stories.
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I Dream of Woody
by BURTON, DEE
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New York: Morrow, 1984. First Edition. Fine in dust jacket.
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I Had Almost Forgotten. Random Reflections by Charles B. Cochran
by COCHRAN, CHARLES B
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London: Hutchinson, 1932. Later printing. Illustrated. Very good with some minor spotting to boards in a very good lightly used and dust soiled dust jacket with a 1” x 1/2” piece missing at the top of the spine. The high and low points of the nearly 40 year career of actor, performer, producer Charles (C. B.) Cochran, featuring many wonderful behind the scenes stories of such legendary performers and theatre personalities as Noel Coward, Gertrude Lawrence, Jim Corbett, Peggy Wood, and many more.
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I Heart Huckabees - A Group of Revised Script Pages - Signed by the Director & Cast of the Film
by RUSSELL, DAVID O., JASON SCHWARTZMAN, ISABELLE HUPPERT, DUSTIN HOFFMAN, LILY TOMLIN, JUDE LAW, MARK WAHLBERG, NAOMI WATTS, GER DUANY
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Los Angeles: Fox Searchlight, 2003. Original black spring binder of 96 various rewrite pages (not a complete script) for the screenplay that belonged to the script supervisor of I Heart Huckabees. At the beginning of the binder is the title page of one of the drafts used on the set, and it is extensively autographed by the director David O. Russell with charming and warm inscriptions from Jason Schwartzman, Isabelle Huppert, Dustin Hoffman, Lily Tomlin, Jude Law, Mark Wahlberg, Naomi Watts, Ger Duany. For example: “Karen, (the eye in the centre of the hurricane) We needed you. Thank you so much. You were noticeably quiet! So rare on this set! Much love & respect, Naomi Watts XXX” or “Karen, Thanks I don’t know how you do it! Mark Wahlberg, God bless you, love you lots”.
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“I” Is For Innocent
by GRAFTON, SUE
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New York: Holt, 1992. First Edition. Signed and inscribed by the author, Sue Grafton, on the title page in the year of publication: “The Granny Gang is watching Kinsey watch the world. For Char, Gerry, Lee, Lucy, Pat, Ruth & Sally. Sue Grafton, April 12, 1992.” Minor hint of edge wear, else fine in a fine dust jacket.
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“I” Is For Innocent
by GRAFTON, SUE
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New York: Holt, 1992. First Edition. Signed and dated by the author, Sue Grafton, on the title page in the year of publication: “Sue Grafton, 4-8-92.” Laid in is a xerox copy of a clipping of a review of this book and a brief article about Grafton’s leading private investigator, Kinsey Millhone. Fine copy in a fine dust jacket.
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I Just Kept Hoping
by STUART, GLORIA with SYLVIA THOMPSON
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Boston: Little, Brown, 1999. First Edition. Signed by the author, Gloria Stuart and Sylvia Thompson on the half title. Hardbound. Brand new unread copy in an as new fresh dust jacket. The engaging memoirs of actress Gloria Stuart star of such classic films as James Whale’s The Invisible Man and Old Dark House, with her most recent accomplishment being the oldest actor ever nominated for an Academy Award for her work in Titanic. Illustrated. Fine in a fine dust jacket.
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I Lost My Girlish Laughter
by [HOLLYWOOD NOVELS]. ALLEN, JANE
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London: Faber and Faber, 1938. First Edition - British. A used and handled copy with some tape marks at the endpapers, a bit of fading to the cloth at the spine, some rubbing, and a few tiny edge tears without dust jacket. A classic Hollywood novel published under the pseudonym of Jane Shore and Silvia Schulman who had been employed as a personal secretary to famed producer David O. Selznick in the mid-1930’s, but had left her position to marry screenwriter Ring Lardner Jr., from whom she divorced in 1945. The narrative of the story is obviously based on Schulman’s experiences as an innocent in Hollywood and her adventures with Selznick and Lardner. It was no secret that Selznick was outraged by the book’s publication and tried unsuccessfully to prevent Orson Welles from adapting it for broadcast on January 27, 1939 on the CBS radio program Campbell Playhouse.
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I Love You, I Hate You, Drop Dead! Variations on a Theme by Artie Shaw
by SHAW, ARTIE
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New York: Fleet, 1965. First Edition. From the library of the great jazz musician, composer, and bandleader Artie Shaw with his bookplate. Fine copy in a very good bright dust jacket with a hint of dust soiling and a few small chips and tears. Arthur Jacob Arshawsky (1910 - 2004), better known as Artie Shaw, started out his career in music at thirteen as a saxophone player and switched to the clarinet at sixteen. He gained experience and skill while on the road at a young age which lead to steady work in the 30s as a session musician and performing with various bands and orchestras and on radio. His first critical acclaim came with his performance of “Interlude in B-flat" at a swing concert at the Imperial Theater in New York in 1935. And during the swing era, Shaw's big band enjoyed such enduring hits like Cole Porter's "Begin the Beguine" and Hoagy Carmichael's "Stardust," "Back Bay Shuffle,” "Moonglow,” "Rosalie," "Frenesi," and "Summit Ridge Drive." He was known for his innovation both in…
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