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Birmingham: Printed by John Baskerville for J. and R. Tonson in London, 1759. Second Baskerville Quarto Edition. 250 x 180 mm. (10 x 7 1/2"). Two volumes. From the Text of Thomas Newton, D.D., with his Life of Milton. Recent retrospective calf, covers panelled in blind, raised bands, spine panels with elaborate blind-stamped ornament, black morocco label in the second panel of each volume. Frontispiece portrait engraved by J. Miller. Verso of title pages with early ink signature of "Le[onard](?) Kennedy." Gaskell 6, 7; Coleridge 122, 202; Straus & Dent, p. 69; Wickenheiser 697, 698; Howe's, Cat. 240, #188, 189 (1989); ESTC T133905, T134634. ◆Occasional minor browning and foxing (a small handful of leaves more noticeably affected), but a clean and pleasant copy in an attractive new sympathetic binding. According to Howes, this is the "largest paper edition of Baskerville's Milton," and the best obtainable Baskerville edition. The text used here is that edited by English cleric Thomas Newton and…
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PARADISE LOST; A POEM IN TWELVE BOOKS; PARADISE REGAINED, A POEM IN FOUR BOOKS. TO WHICH IS ADDED SAMSON AGONISTES AND POEMS UPON SEVERAL OCCASIONS
by (BASKERVILLE IMPRINT). MILTON, JOHN
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- Second Baskerville Quarto Edition
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McMinnville, Oregon, United States
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POEMS AND BALLADS
by (BINDINGS - BUMPUS). SWINBURNE, ALGERNON CHARLES
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- A New Edition
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McMinnville, Oregon, United States
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London: Chatto & Windus, 1899. A New Edition. 187 x 120 mm. (7 1/2 x 4 3/4"). ix, [1] (blank), 338, [2] pp. VERY PRETTY DARK BROWN MOROCCO, GILT IN AN ARTS & CRAFTS DESIGN, FOR BUMPUS (stamp-signed on front turn-in) BY RIVIERE & SON, front cover with frame of graceful long-stemmed tulips enclosing a field with 11 rows of five gilt dots, raised bands accented with five gilt dots, spine panels with spray of three tulips, anular dots between the blooms, gilt titling, turn-ins framed by multiple gilt rules, corners with three tulips and double rows of dots, all edges gilt, with delicate scalloped gauffering. In a later brown cloth slipcase. Front pastedown with bookplate of Gwendolen Bourke engraved by C. W. Sherborn. ◆Spine evenly sunned to hazel brown, one corner lightly bumped, occasional minor foxing, but A FINE COPY, clean, fresh, and bright, in a gleaming binding with few signs of wear. Handsomely bound in the innovative Art & Crafts style for Oxford Street booksellers John and Edward Bumpus,…
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