ANZAAB Featured Books

London, UK: The Leadenhall Press, 1892. Second-hand hardcover.
Mew, James & Ashton, John. Drinks of the World. [FIRST EDITION] The Leadenhall Press: London, 1892. 8vo (225x145mm) dark blue cloth, gilt lettered bds, [2],362,[14 advts]pp. bds lightly rubbed & bruised; eps & a few pps lightly foxed; owner name to pd.
MEW, James (1837 - 1913) and ASHTON, John (1834-1911)Drinks of the World London: The Leadenhall Press, 1892. First Edition. Octavo (225x145mm) dark blue cloth, gilt lettered boards, [10 incl prelims],7-362,[14 publisher catalogue]pp. Frontispiece, one hundred illustrations.Lacks dust jacket (if issued); spine head and foot gently pushed; light shelfwear; corners lightly bruised; endpapers and pastedowns moderately foxed. Top edges a trifle dusty. Small closed marginal tear to p.90. Previous owner name to front pastedown.An exhaustive, intriguing, uncommon, somewhat magpie like history and discourse on all forms of beverages including beer, cider, wine, cocktails, coffee, tea, spirits,… Read More

York: G Peacock, 1790. Second-hand hardcover. Speechly, William. A Treatise on the Culture of the Vine. G Peacock for the author: York, 1790. 4to half bnd red morocco, marbled bds, xvi,[4],224pp. SPEECHLY, William (1735-1819) A Treatise on the Culture of the Vine: exhibiting new and advantageous methods of propagating, cultivating, and training that plant, so as to render it abundantly fruitful. Together with new hints on the formation of vineyards in England. York: printed for the author by G Peacock; and sold by G Nicol, bookseller to his Majesty, Pall-Mall; J Debrett and J Stockdale, Piccadilly; and E Jeffery, near Carleton-Place, London, 1790. First edition. Quarto (275x220mm) half bound, red straight grained morocco, marbled boards and end-papers, label to front board, spine and label lettered, ruled & decorated in gilt, xvi, [4 subscribers list],224pp; five steel engraved plates, three folding; four of the plates are signed by James Basire, engraver. Three plates are after originals by… Read More

Paris, [1926]: Chez L'Auteur et Chez J Meynial. Second-hand hardcover.
Nignon, Edouard. Le Plaisirs de la Table. [FIRST EDITION] Chez L'Auteur et Chez J Meynial: Paris [1926]. 4to (225x185mm) half bnd morocco, marbled bds, a.e red xiv,[3],18-333,[1]pp. [SIGNED with personal dedication]

NIGNON, Édouard (1865-1934)

Le Plaisirs de la Table: où sous une forme nouvelle, l'auteur a dévoilé maints délicieux secrets et recettes de bonne cuisine, transcrits les précieux avis de gourmets fameux et de fins gastronomes, conseillers aimables et sûrs en l'art de bien manger

Paris: Chez L'Auteur et Chez J. Meynial, [1926]. Printed by Jacoub & Aulard, Paris. Preface by M Robert de Flers. Illustration by P F Grignon. First Edition

Quarto (225x185mm) half bound burgundy morocco, marbled paper boards; all edges speckled red, xiv,[3],18-333,[1]pp. Spine in six compartments, gilt stamped and ruled. Verge Antique paper. Original wraps bound in.

Edges lightly rubbed; page edges lightly age-toned;… Read More

[Copenhagen] Denmark: Politikens Forlag, 2006. Second-hand hardcover.
Redzepi, Rene & Meyer, Claus. Noma Nordic Cuisine. [FIRST ENGLISH EDITION] Politikens Forlag: [Copenhagen] Denmark 2006. 4to (285x215mm) pict bds 183,[1]pp. (photography by Ditte Isager) + Danish Edition
REDZEPI, René (1977 - ) and MEYER, Claus [Claus Meyer Nielsen (1963 - )]Noma Nordic Cuisine/Noma Nordisk Mad
FIRST EDITION, first printing in English together with Danish third impression, SIGNED and with laid in ephemera

Both volumes ~ Quarto (285x210mm) pictorial hardcover boards, 183,[1]pp. Printed by the Narayana Press, [Odder] Denmark. Foreword by Claus Meyer, introductory essay and edited by Henrik Kerrn-Jespersen; photography by Ditte Isager; and with recipes by René Redzepi.

The English edition is the first edition, first printing, published December 2006. The Danish edition is the first edition, third printing, published 2007, signed and inscribed in English by René Redzepi "Dear Friends, Happy to see you in Cph,… Read More

1. An account of the voyages undertaken by the order of his present Majesty for making discoveries in the southern hemisphere, and successively performed by Commodore Byron, Captain Wallis, Captain Carteret, and Captain Cook, in the Dolphin, the Swallow, and the Endeavour: drawn up from the journals which were kept by the several commanders, and from the papers of Joseph Banks, Esq; by John Hawkesworth, Ll.D. in three volumes. Illustrated with cuts, and a great variety of charts and maps relative to countries now first discovered, or hitherto but imperfectly known. London: W. Strahan and T. Cadell, 1773. First edition. Three volumes, quarto, late nineteenth century quarter straight-grained Morocco over papered boards by Morrell, his binder's stamp to first leaf, spines in compartments lettered in gilt with gilt lines, unusual gilt-tooled corner pieces to the upper and lower boards, a few scuffs and pale foxing to the boards, top edge gilt, others uncut, vol. I pp. [xii]; xxxvi; 676 (the numbering… Read More

SENECAE RHETORIS PHILOSOPHI OPERA. (Complete works and philosophy of Seneca). Senecae Rhetoris 1604. Seneca, The Complete Works in Latin & some ancient Greek Folio, hc. Armorial stamped in front cover, the arms of a knight of the Garter. Front cover has been expertly repaired and re-attached to book. Some light water marks through-out and some discolouration of pages near edge. Edge papers stained in red ink. Interior is in marvelous clear condition
Ex libris of Sir John Leveson-Gower, (1675-1709) A wonderful clear and still usable copy of a famous authors complete opus,

London: Hodder & Stoughton. No Date[1913]. Quarto Size [approx 24cm x 30.5cm]. Very Good condition. Tan boards with gilt and blue decorations. Light rubbing to spine ends and corner. Mild offset to free endpapers. Previous owner's name to front free endpaper. Nineteen 189 pages. Ten full page tipped-in colour plates with captioned tissue guards intact. Nineteen inlaid small colour plates and numerous line illustrations in blue introduce each quatrain. Each quatrain is printed on a single page. The full-page colour plates are bordered with gold decorations and the inlays with black or blue decorations. All plates are present and in lovely condition. Rene Bull was a talented artist and cartoonist and was noted for his great abilities as a comic draughtsman and a brilliant illustrator of fairy tales. . 1st Trade Edition. Hardback.

London : John Newton, 1st January 1817. Terrestrial pocket globe, 3 inches in diameter, engraved gores with original hand colour over papier-mâché and plaster sphere, the surface in fine order with a recent wax applied for protection, two metal pins resting the globe in the original publisher's shagreen case, titled Newton's improved pocket celestial globe, with engraved diagrams of the constellations, the lips coloured red, original metal hinge and two hook and eye clasps. A fine example of a rare pocket globe, sitting perfectly within its case. A rare and attractive miniature pocket globe showing Cook's third voyage. John Newton (1759-1844) was the founder of a firm of globe makers in London, established in the 1780s and continuing on, with the involvement of Newton's sons, throughout the nineteenth century. This small terrestrial globe in its original case shows the track of Cook's third voyage of 1776-80, with its return to England under the commands of Clerke and Gore. New Holland is shown… Read More

Bernoulli, Jean, Tresaguet, Polini, Royal Academy of Sciences Awards in 1737 winners of the medals. Paris, 1737. Printed by the Royal Publishing House. 1 vol. in-4, 8vo (imperial) 159 pp. 20th century binding in glazed blonde leather on spine and corners, with marbling, spine gilt title on black leather with engraved jewels. In exceptional condition with very few minor spots. In French and Latin. A wonderful rare book with stunning fold-outs of smelting, casting and other techniques for making anchors, beautifully bound, a real treasure.

This book was translated from French by Warren R Dawson and is an early just pre the discovery of Tutankhamen's tomb. One can imagine it was rushed to press in English to take advantage of the fever pitch of interest in Ancient Egypt in the 1920's.
Well illustrated and bringing up sites and art that is not generally talked about even today, with references to Borchardt, Petrie, Gardiner, Quibel ect this well researched book is both interesting and a delight to own.
Will only become more valuable.

Until this book I had thought I had seen all the books on the pyramids ever printed - I was wrong! This wonderful tome fills the period between the age of Petrie survey's and more modern works by Meddleson and Rehner.
With excellent black and white photos and maps, good comprehensive text of all the major pyramids, Abu Rauwash, Giza, Zawyet el Aryan, Abu Sir, Saqqara, Dahshur, Lisht and Maidum and the Faiyum are all covered well.
As an added bonus signed by the author with a short inscription to Mrs Lake Barnett.

An original post incunable leaf with splendid woodcut headers and initials from the gazetteer of a French edition of the "Geographica".
The most popular geographical work to be printed from movable type in the fifteenth and sixteenth centuries was Ptolemy's Geographica or Cosmography. Originally compiled by the Alexandrian geographer, astronomer, and mathematician Claudius Ptolemy in the second century A.D., it was translated from Greek into Latin in Florence, Italy about 1410. Ptolemy lived from approximately 90 to 170 AD and worked in the library at Alexandria from 127 to 150 AD.
Verso: A leaf from Book 8 with a woodcut page header which depicts an angel supporting a scroll bearing Ptolemy's name and two scholars at either end with dividers and a rule. One 7-line woodcut initial "E" with an elaborate internal foliate design. Printed on laid paper in a roman typeface, paginated 148, marginal notes in an italic font.
Recto: As Verso, with three four-line woodcut initials and a slightly different… Read More

Large & finely illuminated leaf in the style of a Book of Hours.
Recto: Double column text in Latin written in an assured gothic bookhand in black ink on parchment. Ruled in red, with rubrics in red. One splendid two-line initial 'S' in blue outlined in black with white penwork on a burnished gold ground, infilled with a foliate design. Beside the initial is a six-line marginal panel of coloured acanthus leaves, flowers and leaves in the style of a Book of Hours. Three two-line initials in burnished gold on red and blue grounds highlighted with white penwork and alternating red and blue one-line initials.
Verso: As Recto, with three two-line illuminated initials, one with a marginal panel.
Origin: Spain or Southern France.
Date: Early part of the 15th century, c. 1425
Content: The initial 'S' beside the illuminated panel begins the mass for the Feast of St. Stephen. The text - taken from Psalm 131 (KJV 132) - reads: Sacerdotes eius induam salutari et sancti eius exsultatione exsultabunt. Memento,… Read More

Artist: Kuniteru II (1829 - 1874)
Title: "The First Steam Train in Japan".
Date:1872.
Medium: Colour woodblock print on washi paper.
Notes: This 2-4-0 tank engine was the one that started the railway age in Japan. It was one of a group of ten locomotives built by various manufacturers in Great Britain to work Japan's first railway opened between Shimbashi (Tokyo) and Yokohama in 1871. It was built by the Vulcan Foundry of Newton-le-Willows, Lancashire, and still survives today in the Japanese railway museum. This woodblock print portrays it as it appeared when it first ran. It is widely believed that the Imperial Japanese Government Railways used a livery of light brown or golden ochre for its locomotives imported from Britain.
Japanese artists, including Hiroshige, were fascinated by this technological marvel and Kuniteru II produced several woodblock prints of this momentous event in Japan's history.
Condition: The print is in fair/good condition. The paper has darkened over the years, there are… Read More

Sienese easel painter and manuscript illuminator Sano di Pietro (1405-1481) was the head of a workshop that fulfilled the demands of civic and religious institutions in the city. His production, technically always of a very fine quality, was rich in decorative effects and characterised by a brilliant palette. His work as an illuminator is documented from the end of 1445 when he decorated a Psalter for Siena Cathedral.
Provenance: The dimensions and style of this leaf almost perfectly match those of a missal in Bruce Ferrini, Catalogue 1 (1987), no. 45, Use of Rome, illuminated by Sano di Pietro and doubtless from Siena.
Recto: Rubrics in red and capitals touched in yellow. Original foliation "XXIII" in red pen. Text written in two columns in black ink on vellum in Latin in a precise, gothic script. Three two-line decorated initials alternating in red with blue pen flourishes and blue with red pen flourishes and a number of similar one-line initials. One three-line illuminated initial 'F' in blue,… Read More