Typography

Chicago: University of Chicago, 1963. Hardcover. VG+/VG. ...with an introductory essay by Stanley Morison and supplemental material by Kennth Day. Large 4to, black cloth, gilt titles, xiii, 66, 377 plates, index. VERY GOOD+ book / VERY GOOD jacket: dj has some lite edgewear, discoloring and rubbing to spine (in mylar) A must-have for your book arts collection.

North Hatfield, Ma.: Pennyroyal. Near Fine. 1976. Hardcover. Clean marbled paper covered boards. Leather spine holds title. Limited edition of 300. Text's interior is tight, clean & intact. Wood engravings of portraits by Barry Moser. The obituaries of these men of printing have been reprinted. They appear here as they were originally published with minor editing. Designed by Richard Hendel. Harold McGraph, Pressman. Typography, Printing, Collection of Obituary Notices ; Wood Engravings; 12mo 7" - 7½" tall; Unpaginated pages .

San Juan Capistrano, California:: Dirk Hagner,, [n.d.].. Edition of 25. 5.75 x 3.75 closed, extends to 24.5 x 15.5". Letterpress printed on 100% cotton paper. Bound in paper-covered boards. Laid in black storage box with title printed in white and handwritten edition number on lid. Signed and numbered by the artist. Dirk Hagner: "Wordplay on the Buddhist notion that there is no 'there' - only a 'here.' Whenever one gets 'there' one is actually 'here.' Tomatoes, potatoes ..., either, neither ..."

London: C. & E. Layton. Very Good. 1928. First Edition. Hardcover. Ca: 1928. Clean tan paper covered boards with brown titles. Cloth spine. Light shelf edge wear. Texts interior is tight, clean & intact. 28 laid in pages of the Erbar Group of Typefaces; Cable Group of Typefaces and Erbar Medium Italic. Showing the comprehensive collection of famous types, borders, and ornaments used by C&E Layton. Also included, the supplement to the Layton Type Book. Small paper hole on a laid in page. Typography ; Type Faces; Folio 13" - 23" tall; 120 pages .

Cloth cover with imprint of author on front. Silver on spine. The book is in good condition, pages are crisp and clean with a binding that is tight. There is a ding on the top spine but the photos will show it is in lovely shape with some sun fading. Bargain priced without the dust jacket. Please view photos for quality views.
"From the dust jacket: Paul Rand's stature as one of the world's leading graphic designers is uncontestable. For half a century his pioneering work in the field of advertising design and typography has exerted a profound influence on the design profession; he almost single-handedly transformed "commercial art" from a practice that catered to the lowest common denominator of taste to one that could assert its place among the fine arts. Among the numerous clients for whom he has been a consultant and/or designer are the American Broadcasting Company, IBM Corporation, and Westinghouse Electric Corporation.
In this witty and instructive book, Paul Rand speaks on the process and… Read More

London: Morrison & Gibbs. Very Good+. 1937. First Edition. Hardcover. Bound in clean dark green cloth with gilt decoration on front cover and title on spine. All edges gilt, Marble endpaper, and a pictorial color frontispiece. This volume contains examples of Monotype, Linotype and a full range of the latest display types, ornaments and borders. All pages printed within a ruled border. Typography; DisplayTypes, Borders and Ornaments; 4to 11" - 13" tall; 461 pages .

London: Longmans, Green & Co, 1901–1902. Limited First Edition. hardcover. Very Good+. 11 5/8" × 8 1/4" (29.5 × 21 cm) . First Thus. Printed by Chiswick Press. Large 4tos. Bound in publisher's original hardcover quarter Holland-backed blue paper boards, with blue linen spine and paper title label. One of 315 (of which 300 were for sale) copies. Printed on fine, hand-made, W M and floral watermarked paper. Uncut, deckled edges. Colophon. A.o.V. 238; A.I.&W. 163; H&FfA./SoC 106; & O.o.H. 293; R.o.t.M. 284; G.t.S. 177; H.o.t.W. 161 & V.S. 113 pp. A full set of the William Morris series comprising eight large quarto books printed at the Chiswick Press with the Golden type designed by Morris for his Kelmscott Press, 1901–1902. Chapter headings in red and shoulder notes in red in some volumes. Spare labels tipped in. Loose insert from the press in "Hopes and Fears for Art, Sings of Change," that reads: "It has been found advantageous to make one volume instead of two of "Hopes and Fears for Art"… Read More

London/Hammersmith: Kelmscott Press, 1893. Limited First Edition. hardcover. Near Fine. 5 13/16" × 4 1/16" × 3/8" (14.8 × 10.3 × 1 cm) . Second State. Printed by and sold by William Morris. 16mo. Bound in publisher's original hardcover quarter Holland-backed blue paper boards, with white linen spine and black titles to cover. One of 500 [of a total run of 1,500, at two shillings and sixpence] paper copies (plus 45 [at ten and fifteen shillings] on vellum). Printed on fine, hand-made, Batchelor (with the second version of the Primrose watermark) paper. Uncut, deckled edges. Colophon. [ii], 1 (title), [i], 68, [viii] pp. Printed in black and red throughout in the Golden type designed by Morris for his press. Head-title and shoulder-notes in red. Numerous 6- and 4-line woodblock initial capitals all designed by Morris, engraved by William Harcourt Hooper. Morris used his four-line initials for this first time with this, his first book printed in the 16mo format. This lecture was setup at… Read More

London/Hammersmith: Kelmscott Press, 1896. Loose Page(s). . Near Fine. 16 5/8" × 11" (42.2 × 27.9 cm) . First Printing. Printed by William Morris. Folio. Loose Page(s). Printed on fine, hand-made, Batchelor (with the Perch watermark) paper. Uncut, deckled edges. 539–540 pp, from book V of Troilus and Criseyde. Printed in black and red with the Chaucer type designed by Morris for his "KELMSCOTT CHAUCER."Speaking of the work, Burne-Jones, "Indeed when the book is done, if we live to finish it, it will be like a pocket cathedral - so full of design and I think Morris the greatest master of ornament in the world." Today, it is still held by many to be the most exquisite book of printed English literature. [Edward Burne-Jones, Letter to Charles Eliot Norton, 1894] Bright and clean. Only the very slightest foxing and minimal yellowing. In excellent condition for ephemera this old. Condition overall: Near Fine.

San Juan Capistrano, California:: Inkswine Press,, 2021.. Edition of 6. 29 aquatint etchings, woodcuts, chine collé, plus letterpress and screen printing. 15 x 11.5 inches, (38 x 29.25 cm) on 250 gm deckle edge rag paper, quarter case binding. Signed and numbered. Dirk Hagner: "The Lepidoptera series of 11 original prints roots in eastern and western sensibilities, and mythological notions of male-female attraction. It is realized by using gestural spontaneity and the graphic precision of printmaking. The project started with drawings for the woodcuts of the female figure, celebrated in art since the renaissance, and ink brush paintings for the making of aquatint lepidoptera (butterflies and moths) imagery. Asemic writing, printed from relief etchings, provide rhythmic compositional counterpoints. The addition of wood type letterpress outside the chine collé image area expands the visual to the entire page while the rich flat black screen-printed strips at its boundaries… Read More

San Juan Capistrano, California:: Inkswine Press,, 2020.. Edition of 10. 25 pages. Measuring 7.875 x 5.75 x 0.5 inches (20 x 14.6 x 1.3 cm). Printed letterpress on heavy weight translucent sheets over 2-color screen-printed type compositions on 250 gm deckle edge rag paper. Hard cover, single page quarter binding, bookmark ribbons. Sea green Ingres end papers with red kozo edging. Signed and numbered by the artist. Dirk Hagner: "I made these little volumes of contemporary New Collective Nouns recently. They are dedicated to James Lipton, whom I would have loved to send a copy. Alas, he passed away in 2020. Thank you for your inspiration and your passion for collective nouns among so many other things. There are 11 new collective nouns." wikipedia, 6/9/2021: "Louis James Lipton (September 19, 1926 – March 2, 2020) was an American writer, lyricist, actor, and dean emeritus of the Actors Studio Drama School at Pace University in New York City. He was the executive producer,… Read More

E Typographeo Clarendoniano. Sumptibus Academiae. Oxonii. 1763. FIRST BASKERVILLE EDITION. 4to in 2's. (12.2 x 9.7 inches). Half title, Title page, 415pp. One of 500 copies printed, using the fine Baskerville Greek type. A clean and crisp copy in a very good contemporary leather binding of full diced dark brown calf boards, with floral gilt roll borders. Professionally re-spined at a later date with a matching coloured Morocco spine, ruled, decorated and lettered in gilt. Board edges ruled in gilt. Marbled endpapers. Gilt inner dentelles. All edges marbled. A small patch of rubbing to the front free endpaper and some rubbing and bumping to the edges but overall a very good copy of this beautifully printed book in an attractive 18th century binding.

Due tomi in-folio; cc. (7), pp. IV, c. (1), pp. LXXXI, 211; c. (1); pp. 366, c. (1). Cartonatura editoriale originale. Qualche abile restauro ai dorsi delle legature, leggermente allentate, tuttavia splendida copia a pieni margini. A splendid copy with uncut margins, preserved in its original editorial orange boards.Iniziata da Bodoni e portata a termine dalla vedova del celebre stampatore, Margherita Paola Dall'Aglio (Parma, 1758 – Parma, 1841), quest'edizione reca nelle pagine precedenti il frontespizio: "Imprimé par ordre de Sa Majesté Joachim Napoleon Roi des Deux Siciles pour l'instruction de son Fils Ainé S.A.R. le Prince Achille Napoleon". Brunet, III, 754: "Édition magnifique"; Brooks, 1149: "E' una delle più belle edizioni bodoniane"; De Lama, II, p. 213.

One of only 10 copies printed on Zerkall Litho for presentation in Artist's Bindings. Designed by the Spanish artist Antonio Veléz Celemín exclusively for the first edition, these copies are beautifully handbound in quarter cloth with exquisite hand marbling on both the book and the slipcase, joining two complementary patterns. To achieve this unique and specially commissioned design, the artist has combined Suminagashi (a Japanese technique dating back to 1055) using only black ink, and the classic western pattern of 'wavy thorns'. These are our 'top copies': they marry the finest in printing art with a rare fine-binding. The First Edition of  FINN'S HOTEL by James Joyce. Edited, arranged and with a preface by Danis Rose, introduced by Seamus Deane, with eleven illustrations by Casey Sorrow. Designed and printed letterpress by Michael Caine for Ithys Press, Dublin. The Preface and Joyce's text have been handset by Caine in Van Dijk, Kis-Janson and various early 20th Century typefaces and the… Read More

First Edition. New. One of 26 Lettered copies. Signed by the printer and the illustrator. The Lettered Deluxe issue, printed on Crisbrook Waterleaf handmade paper, is in loose imperial quartos, with hand-marbled paper-wrappers and presented in a cloth-covered slip-case. The first-ever appearance in print of James Joyce's story for children, The Cats of Copenhagen, in a special edition of 200 copies, limited to 26 Lettered copies, 170 Numbered copies & 4 copies Hors Commerce.Exquisite, surprising, and with a keen, almost anarchic subtext, The Cats of Copenhagen is a slightly younger twin sister to The Cat and the Devil, the only other known example of James Joyce writing a story for young children. Both works, penned within a few weeks of each other in 1936, are in letters posted to his only grandchild, Stephen James Joyce. Michael Caine has printed this large-format letterpress edition with virtuoso skill, setting the text in a wondrously expressive array of original, early twentieth-century hand-cut… Read More